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The latest NEWS, REVIEWS, and CRAZY GOING-ONS over here at Cinema Threat Productions

 


 

  • "One Long Day" Press Release

    09/23/08



    Mailman turned filmmaker delivers bloodbath with "ONE LONG DAY"

    While Uwe Boll's controversial movie "Postal" was recently released on DVD, a real mailman turned filmmaker tweaks his independent violent revenge film "One Long Day" for its world premiere at a Las Vegas casino in December.

    Keith Mosher, who is writing a book on his film’s journey from dream to screen, has spent the past five years as a Las Vegas city carrier for the United States Postal Service working 11-hour shifts. Stuck in the rut of his job, Mosher decided to do something about it. Instead of arming himself and "going postal," Mosher picked up a camera.

    So while he still made sure to deliver mail to residents of Sin City, the 37-year-old has also been busy working on his dark comedy/action film "One Long Day" when he's off the clock. With a budget of roughly $3,000, "One Long Day" was shot in 28 days extending over a 12 month period, with most shooting taking place on Sundays.

    The film, which is getting quite a bit of buzz online and almost guaranteed to be a cult classic, features a cast of nearly 30 players, Hollywood-esque stunts, sex, violence, guns, thugs, strippers, explosions, Jehovah’s Witnesses, ball gags, fast cars, Jesus and more.

    "One Long Day" stars Dean Mauro ("Entourage," "CSI: Crime Scene Investigation"), Chris Gabriel ("21"), Rob Marrocco Jr. ("The Sopranos"), George Miklos ("Fear and Loathing in Las Vegas," "V," "Hunter") and introduces pinup model Rebecca Edwards and mailman Chris Schaub. The film, shot and edited by Jason Coblentz, also features cameos by postal workers Toni Diaz, Sherm Reaper and David Sharp, film critic Chad Clinton Freeman and members of the Che’Lu motorcycle gang. Also apart of the project were stuntmen Marque Ohmes (“Half Past Dead 2”) and Jason Barker (“Cold Case”).

    Schaub plays the lead character Gruff, who not only breathes fire, but also gets shot and has a 2X4 smashed over his head. The story centers around Gruff being mistaken as somebody that owes a lot of money to a crime family. When they kill his beloved pet Fluffy, all hell breaks loose as Gruff has one hell of a day seeking revenge “Desperado” style, settling the score with someone ... anyone ... everyone.

    Schaub, a weightlifter and restorer of classic cars and trucks, works in the same office as Mosher and was the first person that was cast in a role.

    "Almost two years before we started filming I remember telling Chris I was going to cast him in a movie one day," Mosher told PollyStaffle.com "He probably thought I was nuts, but I knew way back then, if I ever made 'One Long Day,' he would have to play Gruff. Physically, it was a no-brainer. Chris stands 6’4" and is a very imposing guy."

    Currently available for pre-order on its official site, "One Long Day" will screen early scenes of the movie at the High Desert Shorts International Film Festival on November 6. The film will have its world premiere and be available on DVD in mid December.

    Find out more details, by reading Keith Mosher’s Q&A with Chad Clinton Freeman at PollyStaffle.com:
    http://www.pollystaffle.com/questionsandanswers/keithmosher.shtml

    See the trailer:
    http://www.vimeo.com/813891

    Visit the film’s official site:
    http://www.onelongday.com

    And don’t forget to make friends with Gruff on Myspace before he comes for you:
    http://www.myspace.com/onelongday_themovie

    An online copy of this press release:
    http://www.prlog.org/10109004-mailman-turned-filmmaker-delivers-bloodbath-with-one-long-day.html

    NOTE: If you need artwork, would like to talk with Keith Mosher or be placed on a list for a screener when they become available, please email the director at Keith@OneLongDay.com

  • The Devil Made Me Do It! - New Review of "The Hood Has Eyez."

    08/07/08


    When filmmaker Terrence Williams tried to sell his latest movie The Hood Has Eyez on CreateSpace.com, he was turned down. “Unfortunately, we are unable to accept ‘The Hood Has Eyez’ due to its extremely disturbing graphic nature,” he was told. The rape/revenge film starring Cyd Schulte, Jesselynn Desmond and Jamielyn Kane was also originally called “just too strong” by Sub Rosa Studios, although they later released the film on DVD nationwide. Greg Stanina, who composed the film’s score, went as far as saying the movie “makes ‘Last House on the Left’ look like an episode of ‘Sesame Street.’” Just a bunch of hype? Find out what PollyStaffle.com has to say about it here:

    http://www.pollystaffle.com/exploitation/thehoodhaseyez.shtml

  • 100 Horror Films on 24 DVD's for $44.98 - Hell Fuckin' Yeah!

    07/24/08

    For those of you who haven't gotten a chance to pick up "The River: Legend of La Llorona" or "Revenge of La Llorona," when they were previously released this is your chance. Both films will be released for THE THIRD TIME on a new Pendulum Pictures DVD box set titled "BLOODY NIGHTMARES" which has 100 HORROR FILMS on 24 DVD's! All for the low price of $44.98 - So there's bound to be something on the set you like.

    This is for TRUE LOVERS of indie-horror and not for the faint of heart. The box set hits store shelves August 19!

    Splatter fests and other-worldly evils await. Vixens, serial killers, demons and flesh-hungry mutant freaks are all locked up here begging to escape. Dare to open the tomb and unleash the wickedness inside but be warned: Bloody Nightmares makes Pandora's Box look like a gift from the heavens! So check your sanity at the door and get ready for a blood-soaked marathon of gore, madness and depravity. With so many hours of terror, the nightmares will never end!


    100 mind-blowing horror films on 24 DVDs make for endless hours of entertainment.

    Included
    1. Abberdine County Conjuror
    2. Barely Legal Lesbian Vampires
    3. Before I Die
    4. Bewitching, The
    5. Blood Legend
    6. Blood Sucking Babes from Burbank
    7. Burning Dead
    8. Candle in the Dark, A
    9. Capture the Flag
    10. Catholic Ghoulgirls
    11. Crate, The
    12. Crawlspace, The
    13. Crucifier, The
    14. Cutting Room, The
    15. Dead 7
    16. Dead Body Man
    17. Dead is Dead
    18. Dead Live, The
    19. Death From Beyond
    20. Demon Seduction
    21. Demon Slaughter
    22. Devil's Moon
    23. Disk Jockey
    24. Dominion
    25. Edgar Allan Poe's Madhouse
    26. Flesh Eating Ghouls from Outer Space
    27. From Venus
    28. Goblin
    29. Gorno
    30. Goth
    31. Granny
    32. Hell's Highway
    33. Hellbound: Book of the Dead
    34. High Desert
    35. Hip Hop Locos
    36. Hollywood Vampyr
    37. Human Behavior
    38. I Dream of Dracula
    39. I Hate You
    40. Inexchange
    41. Invitation
    42. Jim Haggerty's The Slasher
    43. Kill the Scream Queen
    44. Kill Them And Eat Them
    45. Las Vegas Blood Bath
    46. Lifeblood
    47. Lunar Pack, The
    48. Massacre
    49. Matthew
    50. Mayhem Motel
    51. Night Owl, The
    52. Nightmare Asylum
    53. Nightmare Museum
    54. None Left Standing
    55. Off The Beaten Path
    56. Parasite
    57. Prehistoric Bimbos in Armageddon City
    58. Purvos
    59. Rape is a Circle
    60. Reanimator Academy
    61. Redneck County Fever
    62. Revenge of La Llorona
    63. River, The: Legend of La Llorona
    64. Rose of Death
    65. Scarlet Fry's Junkfood Horrorfest
    66. Season in Hell
    67. Serial Killer
    68. Shadow Hunters
    69. Shower of Blood
    70. Shunned House, The
    71. Siege of Evil
    72. Skyggen
    73. Slasher
    74. Sleep Disorder
    75. So Mort It Be
    76. Somnambulists, The
    77. Soul of the Demon
    78. Strange Things Happen At Sundown
    79. Suburban Sasquatch
    80. Summer of the Massacre, The
    81. Tales of Terror
    82. Terror at Baxter U
    83. Terror Toons
    84. Thirteen
    85. This Darkness
    86. Three Can Keep a Secret
    87. To Become One
    88. Todd Sheets' Sorority Babes in the Dance-A-Thon of Death
    89. Toe Tags
    90. Traveler, The
    91. Unborn Sins
    92. Up For Rent
    93. Vampire Hunter
    94. Veil, The
    95. Vulture's Eye, The
    96. When Heaven Comes Down
    97. Wishbone
    98. Witching, The
    99. Woodland Haunting 2, The
    100. Zombie Rampage

  • Check Out A Friend's Film "Curse Of The Devil Doll"

    06/04/08
    Fellow filmmaker and composer of "The Hood Has Eyez," Greg Stanina aka Teargas Gin, has made a cool little short film named, "Curse Of The Devil Doll." Check it out by clicking the YouTube link below.

    http://youtube.com/watch?v=1G9yfJl7tIs
  • Cincinnati Horror Film Festival Gets "Hood"

    06/01/08



    What’s up fellow freaks and geeks!!

    "The Hood Has Eyez" will be playing June 14th (Saturday) at THE CINCINNATI HORROR FILM FESTIVAL in the great city of Cincinnati, Ohio. There will be 12 hours of Indie horror films (both short and feature length films), guest speakers, and more bloody fun at the Fairfield Community Arts Center in Fairfield, OH (its a suburb of Cincinnati, for those that are wondering!!) "The Hood Has Eyez" will be playing at 9:00 pm (the last film of the night) right before the awards and closing ceromonies. So if you are in the Ohio area stop by and check out some kick ass films and help out the indie horror community by showing your support for the artist. You can pre-order your tickets now at the website: http://cincinnati.horrorsociety.com until May 12th for a lower rate. Shit, they are low enough! Only $12 now and after May 12th they are only $15!! For all 12 hours of horror!! This festival is for the filmmakers. All proceeds will go to the next film festival which will be bigger and better.  So check out the site for all the info and check out the theater they have, it’s great! This should be a fun time for all, so grab your tickets now and join us down there on June 14th!!

    When:
    Saturday June 14, 2008
    11:00 a.m. - 11:00 p.m.

    Where:
    Fairfield Community Arts Center - Theater
    411 Wessel Drive
    Fairfield, OH 45014

    http://cincinnati.horrorsociety.com

  • Cinema Crazed Goes Crazy over "The Hood Has Eyez"

    06/02/08



    Cult website Cinema Crazed.Com just reviewed "The Hood Has Eyez" for their 2nd annual GRINDHOUSE  REVIEW FEST.

    Visit the link below to see what they had to say about our indie exploitation gem:

    http://www.cinema-crazed.com/gh-fest/hoodhaseyez.htm
  • Amateur Porn Star Killer 2 Screening Was The Shit MoFo's!!!

    04-26-08

    The "Amateur Porn Star Killer 2" screening last night at Laemmle's Sunset 5 was the shit! The movie was a great follow up to "Amateur Porn Star Killer 1" and filled in a lot more pieces to the missing puzzle pieces from part one. It also delved deeper into the killers Psyche and there was full blown on screen penetration and cock sucking and lots of uncomfortable situations and violence. What more could a gore-whore want? As a bonus I finally got to meet writer/director Shane Ryan and the other people involved with the film including super hot actress Kai Lanette. They all signed my copy of the upcoming 2 Disc DVD set. If you missed it too bad. The film comes out at major DVD retailers everywhere May 13!!!

  • Amateur Porn Star Killer 2 Screening!!!

    04-20-08

    AMATEUR PORN STAR KILLER 2 – The sequel to Shane Ryan's "love or hate" indie gem will be playing at Laemmle's Sunset 5 (8000 Sunset Blvd., West Hollywood) at midnight April 25-26. Ryan stars, co-wrote, directed and edited "Amateur Porn Star Killer 2" which is "a horrifying mix of grindhouse sleaze, torture porn and voyeurism that is just as intoxicating as it is creepy." There will be movie poster giveaways at the screenings and Shane Ryan will be in attendance. Go on down the 25th or 26th and help support a fellow filmmaker.

  • DVD Resurrection Reviews "The Hood Has Eyez" And Likes What It Sees!

    04-10-08

    Review by: zer0hal0
    Date: 8th April 2008

    A young shy teenage girl named Kimmy (Cyd Schulte) is trying to fit into the so called “popular
    group” and will do just about anything to fit in. That’s until her 2 spoiled rich high school friends
    Susan (Jesselynn Desmond) and Rachel (Jamielyn Kane) decide they all should skip school and
    attend a ditch party in the hood. Before getting into Kimmy’s car, all of a sudden Susan’s friend
    Jerry (Tom Curitore) also decides to skip school and accompanies the 3 girls to the party.
    Unfortunately that following day slowly ends up becoming their worst nightmare. When Kimmy
    accidentally hits a half naked Latino woman with her car in the backstreets of the hood, frantic
    and scared, they quickly get out of the car to see if the women is still alive, sadly Jerry can’t find
    a pulse and they quickly try to come up with a suggestion to make their problem go away. Susan
    who is buzzing on cocaine comes up with the idea to leave the body on the side of the road, and
    wants to forget that this ever happened. All of a sudden the mysterious woman jumps back to life
    and scares the teenagers making them run off down the road an head on into 2 ex-con Latino
    gang members Joker (Carlos Javier Castillo) and Psycho (Antonio Royuela). The 3 girls and Jerry
    are held at gun point, and made to follow them back to their gang territory where they are soon
    accompanied by a third gang member Shy Girl (Anne Stinnett) who basically played possum when
    jumping out in front of their car. The helpless four teens soon find themselves being mugged, tied
    to a fence and then one by one are subsequently humiliated, submitted to absurd sexual acts,
    violently raped, tortured, sodomised, assaulted and then murdered in cold blood. Susan, who was
    passed out, awakes and manages to make a quick exist leaving Kimmy crying out for help while
    face flat on the ground after recovering from a viscous rape, while Rachel is at the time being
    sodomised with a broken beer bottle. Scared for her own life, Susan leaves Kimmy behind for the
    gang to come back for second helpings and tells Kimmy she is going to bring back some help. It’s
    not long after the police sirens go off in the distance and the gang flee the scene with the money,
    but lucky for Kimmy, Psycho’s gun jams and he quickly runs off. When Kimmy gets to her feet, she
    finds her best friends Rachel and Jerry dead, and decides to take things into her own hands, and
    begins to seek revenge on the gang. As the table has turned the gang members are one by one
    are submitted to play her revenge games which she leaves Psycho for the picking last.

    A couple months back I was browsing through Myspace and I found the official The Hood Has
    Eyez
    Myspace page www.myspace.com/cinemathreat and after checking out the trailer I had
    to watch this film. I don’t know it was that made me want to see this film so badly, maybe it was
    the fact of seeing hot gorgeous teenager being Dirty Sanchezed by a Latino gangster that did it
    for me. Who knows? But one thing I will say is that, I am fucking glad I had the chance to review
    this little rape/revenge gem.

    This film is written, directed by independent filmmaker Terrence Williams, who also happens to
    have a short cameo within the film as a black married man who keeps on dozing off on Susan while
    she is screwing his brains out in a public toilet at the beginning of the film. The Hood Has Eyez is
    not this director’s first full length featurette film, but instead this is his fifth attempt at directing
    and writing a movie. I personally haven’t had the chance of reviewing any of his previous films,
    but after watching The Hood Has Eyez I can absolutely see myself tracking down some of his
    earlier films in the near future.

    Before I even watched this film, the title alone kind of had me thinking “what was I in for?” was  I
    going to be watching a zero budget tongue in cheek version of Wes Cravens: The Hills Have
    Eyes
    ? But instead this isn’t even the case; The Hood Has Eyez does not even resemble The
    Hills Have Eyes
    not even in the slightest bit. Surprisingly the film kind of reminded me of a low
    budget version of I Spit On Your Grave mixed with another one of Wes Craven’s earlier film called
    The Last House On The Left but bringing out a new fresh look to those old 70s rape and revenge
    roughies. I really have to hand it to Terrence to have the balls to create such a brutal, sadistic
    twisted film which falls into the same category as these older cults classic films I have grown up
    loving. I can’t recall how many times when watching this film it had my emotions jumping from
    down to up, while I found myself slightly turning my head away from the TV and squinting my eyes
    from the extreme torture scenes. One minute it’s a low angel up the skirt panty scene and then
    the next it’s some guy pulling out a tampon and then sucking the blood out it. This went on and
    on throughout the whole film, and honestly I loved every single minute of this film and most of all
    the impact it had on me.

    The cast in this film, I couldn’t really place anyone’s face in any other films. Actress Cyd Schulte
    most definitely played a solid role as Kimmy and gave an outstanding realistic performance
    throughout the film. But the cast member who stole the spotlight is none other than actor Antonio
    Royuela who played the role as gang member Psycho. Where his character unplugs a Susan’s
    tampon and said “I always wanted to know what a catholic school tastes like” and begins to suck
    the blood from it and then says “I always wanted to know the difference between a 69 and 6.9,
    now I know, it’s a period”. Not even David Hess in his whole career was that vile enough to
    portray a scene like that.

    The gore factor is roughly borderline, some scenes can be very disturbing to watch at times, while
    other times can be tame but still very enjoyable to watch. Some of the props Terrence used were
    in-fact realistic sex toys (male penis, woman’s vagina), but incredibly it still manages to have that
    shock effect and tricks the audience in thinking that it could be real. There is only a handful of
    cast members listed in this film, and I really don’t want to spoil too many of the scenes for you in
    the way they are tortured to death. But I will say this, 80% of the final scenes are brutal as fuck,
    especially when it comes to the revenge on the gang members.

    The Hood Has Eyez also has a high level of T&A (Tits and Ass) scenes. Just about every female
    cast in this film gets right down to their bare skin, and doesn’t mind showing their goods off to the
    camera, but sadly actress Jamielyn Kane who played Rachel didn’t strip down or flash a boob. And
    sorry girls/gays there was no full male nudity presented in this film.

    The score I have to say was original, and suited the movie. Every time something extreme was
    going to happen unfortunately the score gave it away. But the sound itself has a Celtic Goth feel
    to it, similar to the score in Cannibal Holocaust with those deep ping dropping sounds.

    I can’t really comment on the DVD extras because the movie I had the pleasure to review was a
    screener. The only extra presented on the screener was a trailer and that’s about it. But
    according to Amazon.com this movie does contains the original uncut version (which no doubt is
    the version I reviewed) of the film, behind the scenes, bloopers, trailer, still photo gallery.

    I know now days you tend to see a lot of handheld low budget films hit the shelves of your local
    video store, and yeah, some of them turn out to be utter shit. Trust me, I have come across so
    many in my time, and still to this day I end up being tricked into grabbing a dud every now and
    then. But I can assure you that Terrence Williams: The Hood Has Eyez is one film you won’t
    regret buying and owning on DVD. If you enjoy watching rape and revenge films as I mentioned
    before, low budget effects, an un-named cast, lots of nudity, extreme violent torture, well then
    this film is what you want to get right now.

    If I have to sum up The Hood Has Eyez in a few short words I would have to say “Extremely
    Sadistic, Grotesque and Sinister”.

  • Digital Retribution Takes A Trip To "The Hood."

    04-08-08

    The Hood Has Eyez
    By: Craig on April 8, 2008. Share 0 Comments

    Poster Art

     

     

    Credits

    Director: Terrence Williams
    Stars: Cynde Schulte, Antonio Royuela, Carlos Castillo, Jamielyn Kane
    Screnplay: Terrence Williams
    Country: USA
    Year: 2007

    Purchase
    You may be cringing just a little after seeing that title, but fear not, The Hood Has Eyez is not some Scary Movie-esque hip hop lampooning of the survival horror genre, nor is it a flat out rip-off. Instead, it is a nasty no budget amalgam of Wes Craven's first two movies – Last House on the Left and, naturally enough, The Hills Have Eyes – that puts its own spin on the material and places its characters in a more urbanized setting. Unfortunately for those characters however, while the backdrop may have changed the results are pretty much the same as they discover that inner city psychos can be every bit as brutal as your average mountain dwelling mutant.

    Good little catholic schoolgirl Kimmy and her friends have cut class to attend a party somewhere in "The Hood", but on the way they get themselves lost and fall into the clutches of a sadistic street thug and his two cronies. An extended period of rape, murder, and general unpleasantness follows, and after being left for dead at the end of her ordeal Kimmy has just one thing on her mind. And it involves a tasty dish that is best served cold…

    Truly independent filmmaking (and by "truly independent" I mean movies where it's basically the director and a handful of friends doing everything with virtually no money to play with) has always been a force to be reckoned with as indie filmmakers are ballsy enough - or perhaps unscrupulous enough - to film the sort of craziness you would never see at your local multiplex, but over the past couple of years the independent scene has lost some of it's verve in my opinion. With budgets getting lower and lower to the point where movies are being made for less than a 15 year old McDonalds employees daily earnings, a lot of independent films have become nothing more than dull gab fests shot by amateur hacks with no real desire to shock or scare their audience, while Hollywood on the other hand has embraced blood and guts, with slick major studio efforts like The Hills Have Eyes (2006) and The Texas Chainsaw Massacre: The Beginning containing more torture and mayhem than 80% of the independent product being churned out.

    Thankfully, The Hood Has Eyez is the sort of indie movie that makes Hollywood look like a bunch of pussies.

    Written, directed, photographed, and edited by Terrence Williams, The Hood Has Eyez is an undeniably cheap affair, but while the lack of funds means we don't get anything resembling a "polished" production, Williams clearly has some fucked-up ideas running through his head and is more than happy to put them on screen. High on the list of indecencies committed during this film are: golden showers, soiled tampon sucking, coat hanger foetus removal, violation with a broken beer bottle, penis nailing, and more than one instance of anal molestation – one of which culminates with the victim receiving a "Dirty Sanchez". Yes, this really is a treat for the whole family, provided that family is a bunch of hardened exploitation loving nutters of course. It probably reads a little nastier than it really is, but even with a few amateurish gore effects that might not get the stamp of approval from Tom Savini, The Hood Has Eyez is the sort of film that will definitely offend people. Perhaps not your average Digital Retribution reader though.

    As a revenge film The Hood Has Eyez has a lot more in common with low budget 70s and 80s entires like I Spit on Your Grave rather than the slicker, stylized new millennium revengesploitationers like Kill Bill and Death Sentence. Several sequences – particularly the initial brutalization of Kimmy and her school friends - are genuinely unpleasant to sit through (viewers of all genders will be crossing their legs at some point with both male and female genital trauma on the menu), and while the zero-budget production values might also make the whole experience unpleasant in a completely different way for those who prefer their movies with a dash of Michael Bay-esque pizzazz, the bargain basement quality does gives the whole film a gritty realism, despite the aforementioned amateurish gore effects and vanilla cinema verite style camera work. Also, like I Spit on Your Grave, this is a bleak viewing experience from start to finish, and there is no real feeling of triumph at any point, even when the traumatized and presumably broken (mentally at least) Kimmy begins to exact her bloody revenge. The downbeat denouement in particular offers no real winners, only losers. Williams does find time for a brief moment or two of levity in amongst the extreme material though. Watch for Kimmy doing her best Rambo impression as she ties a bra around her forehead before going in to battle!

    As with many production of its ilk, the acting quality varies. None of the performances are appalling, although you may find it hard to believe that some of the cast actually are good little school girls as most of them looked old enough to have graduated several years earlier (in fact, according to IMDB profiles the "school girls" are all in their 30s, but they look great in tartan mini skirts so I'm sure as hell not complaining!) The two pivotal characters - Kimmy (Cyd Schulte) and Psycho (Antonio Royuela), the perpetrator of most of the atrocities inflicted upon the girls – are played quite well. Schulte is believable both as the innocent schoolgirl and the crazed vengeance seeker who begins to imitate her attackers speech and mannerisms, while Royuela delivers a thoroughly repellent villain that is grounded in reality.

    Location wise, while it is set in the inner city, The Hood Has Eyez feels very much like a backwoods horror movie. After all, for a group of white catholic schoolgirls the ghetto is probably just as foreign as the Georgia backwoods were to Burt Reynolds and his white collar rafting buddies in Deliverance. Also, with the urban setting it feels as though the events are hitting a little closer to home, and it's not a stretch to imagine someone we know winding up in a situation like this. Most of us don't live in fear of cannibalistic inbred hillbillies as we are far removed from the backwoods environment, but urban violence is something that can affect anyone. Although the film and its characters are distinctly American, those of us outside the USA can still relate to the setting, as most westernized countries have their own versions of "The Hood" where young mini skirt clad school girls fear to tread.

    You really will need to be fan of truly independent filmmaking in order to tolerate its no budget aesthetic, but if you crave the sort of rape/revenge nastiness that Hollywood will never project on the big screen then The Hood Has Eyez will deliver, and at just 67 minutes long it doesn't outstay its welcome. It's got a gratuitous shower scene, murder, sodomy, genital abuse, bloodied tampon tea bagging (possibly the vilest thing I've witnessed for a while - seriously!), backyard abortions, and a whole lot more. Honestly, if that's not appealing then you are of sound mind and will not be able to enjoy a movie like this. I'm definitely looking forward to checking out more from Terrence Williams, if only to see what other fucked-up ideas the guy has.

    The Rating
  • ...And That's A Wrap!

    04-01-08

    Cinema Threat Productions has officially wrapped up shooting on our latest film Speed Freaks, an outrageous horror-comedy about a young porn director and his misfit band of porn stars who are given the opportunity to make a low budget, mainstream zombie movie. Life quickly imitates art when several drug crazed, cannibalistic, mutant zombies, also known as"speed freaks" show up on the set. The cast and crew are stalked and attacked one by one. These insatiable creatures explicitly attack and then disembowel their victims, but the director refuses to stop production and decides that he will finish his first mainstream movie even if it kills him.

    In the coming weeks we will be cutting the film and expect to have a trailer up ASAP. We are really proud of the outcome so far and think our fans will be really happy with the final film.

  • Horror Year Book Review Of "The Hood Has Eyez"

    03/18/08

    DVD Review: The Hood Has Eyez

    Published by wil March 15th, 2008

    Taking a page from the Quiroz brothers’ Hood of the Living Dead, or Snoop Dogs’s Bones, The Hood Has Eyez brings Wes Craven’s Last House on the Left to East L.A.

    Featuring the oldest high school students in film history, Hood follows three private school “girls” running around in short plaid skirts, never skimping on the panty shots or T&A. The girls decide to skip school, but of course wind up in the wrong end of tha hood where they are kidnapped, raped, and tortured until one escapes and gets her bloody revenge.

    Most reviews of The Hood Have Eyez are going to read like a list of obscenities: rape, dirty sanchez (smearing shit under someone’s nose), castration, tampon licking, coat hanger abortions, and these are just a few things that happen in this film. I say if John Waters could become famous for filming a fat cross-dresser eating dog poop why can’t these guys? Actually, if the people behind Hood should be recognized for anything it should be the fact that they at least made a rape/revenge film, a subgenre not many people tend to revisit these days.

    The funniest part of the film, besides the actresses they picked for teens, is during the abortion scene. They used one of those fake plastic pussies I used to sell at my porn shop. I was proud that it looked like they spent a little extra cash on the cyber-skin model and didn’t go with the cheap Wal-mart version. I do have to wonder if it was from one of the crew’s private collection, which is a grosser thought than the actual scene.

    As for shock value, I hate to admit it, but the hardcore horror fan that has seen even the basic rape/revenge 101 is not going to be too shocked. Horror fans do not really respond to being outrageous just for the sake of being outrageous. We need a little more.

    With that said, The Hood Has Eyez does push the envelope very far. Most movies that claim to be too brutal and controversial these days fail miserably to deliver, but Hood does give you what it promises. It will make pansies who’s mangina’s are still aching from so-called “torture porn” have to go back to the lame label board and invent a new term. It is vicious, crass, and contains no redeeming value. It is only here to offend and shock you and for a lot it people it probably will.

  • "Speed Freaks" is now in pre-production and set to begin shooting!

    2/18/08

     


    Cinema Threat Productions is currently casting "SPEED FREAKS," an outrageous horror-comedy about a young porn director and his misfit band of porn stars who are given the opportunity to make a low budget, mainstream zombie movie. Life quickly imitates art when several drug crazed, cannibalistic, mutant zombies, also known as"speed freaks" show up on the set. The cast and crew are stalked and attacked one by one. These insatiable creatures explicitly attack and then disembowel their victims, but the director refuses to stop production and decides that he will finish his first mainstream movie even if it kills him. 

    For those of you actors out there who might be interested, we are still casting two of the lead roles and one supporting role. They are as follows:

    CAROLINE BOTTOMS: (lead) Attractive female, any age, any ethnicity, to play very stuck up porn star. Believes she is God's gift to the world. Very superficial.

    SAMANTHA GOOD HEAD: (lead) Pretty young woman in her early 20s, any ethnicity,  who is a contradictory figure. She is a porn star and a religious fanatic. Always wants to be the center of attention, but not very confident at the same time. 

    DELIVERY GIRL / ZOMBIE: Sexy female, any age or ethnicity, who has a very upbeat and bubbly personality, and who can also play a wicked zombie.

    Stay tuned horror fans ... for updates and release dates, etc, etc ...
  • MySpace Film Community Reviews "The Hood Has Eyez"

    02-01-08

    The Hood Has Eyez

    Year: 2007
    Director: Terrence Williams
    Stars: Cydne Schulte, Carlos Castillo, Jesselynn Desmond
    MPAA Rating: Not Rated
    Studio: Cinema Threat Productions
    Running Time: 67Mins
    Review Rating: 4 Stars
    Official Website: http://www.hoodhaseyez.sinfree.net/

    The Hood Has Eyez is one of the most controversial horror films out there in the independent horror scene, for its disturbing and offensive content. The film is so controversial that the filmmakers had to distribute it themselves, as nobody has the balls to distribute it.

    The film is about Kimmy, a shy teenager who wants to fit in with her classmates. In order to fit in, she decides to ditch class, along with a couple of classmates. While having a good time, the three accidentally hit someone. The three girls then try to cover up the accident until a couple of gangsters come along bent on doing harm to the girls. They then proceed to humiliate and torture the girls, but they leave forgetting to make sure that Kimmy is dead. Now in a demented state of mind, she is out for revenge. She won’t stop until all the gangsters pay for what they did to her. The Hood Have Eyez is not a spoof or has no relation to Wes Craven’s The Hills Have Eyes.

    This film is definitely not for the weak of heart. The Hood Have Eyez is a very frightening and disturbing film that would be on a grindhouse double bill. Director Terrence Williams does a great job with the horror aspects here. Some of the images in the film were disturbing to watch, which is one of the ingredients to make an effective horror film. It’s something that major studio films don’t do that much. The violence felt terrifying, as it wasn’t cheesy or misplaced. His story and screenplay were very good. The screenplay goes into the frightening aspects of abductions. It gave me the sense of fear for the characters during the torture scenes in the first half of the film. The screenplay and direction keeps the tension of the film up through out.

    Williams also did a good job with the actors. Their performances were very good especially, from Cydne Schulte. Her performance was very good. Her role must have been a little challenging. In the first half of film, her character has to be shy and victimized, and then the character has to be completely insane. She did a very good job being both throughout the film.

    Horror fans should take note of this film. The Hood Has Eyez will satisfy the blood lust of gorehounds everywhere.

    To purchase this film you can log on to the film official site at http://www.hoodhaseyez.sinfree.net/

  • "The Hood Has Eyez" listed on last months Fangoria DVD Chopping List!

    01-11-08

    "The Hood Has Eyez" was mentioned in last months (December) Fangoria Magazine. We circled "The Hood" in blue. If you haven't checked out the movie yet, go on over to Amazon.com or Filmbaby.com and snatch up a copy of this cinematic horror feast.

  • New (re) Search My Trash Review
    01/07/08

     

     

    The Hood has Eyez

    USA 2007
    produced by
    Nicole Williams, Marcelo Molina (executive) for Cinema Threat Productions
    directed by Terrence Williams
    starring Cyd Schulte, Antonio Royuela, Anne Stinnett, Jesselynn Desmond, Jamielyn Kane, Carlos Javier Castillo, Tom Curitore, Terrence Williams
    written by Terrence Williams, music by QDC, Greg Stanina, cinematography by Terrence Williams, special effects by Terrence Williams, Nicole Williams

    review by
    Mike Haberfelner

    Superficial blondes Susan (Jesselynn Desmond) and Rachel (Jamielyn Kane) persuade good girl Kimmy (Cyd Schulte) to skip school and instead go to a party together with Jerry (Tom Curitore), but they are not even half there when their car hits Shy Girl (Anne Stinnett), who ran the streets only in her underwear - and our quartet panics enough to abandon the car and try to get away on foot ... until they run into Psycho (Antonio Royuela) and Joker (Carlos Javier Castillo), two small-fry gangsters, who actually used Shy Girl - Psycho's girlfriend - as a decoy and who now rob them at gunpoint. However, once the gangsters realize the youngsters have not got all that much money, Psycho decides to instead have a little fun with them. First they humiliate Susan who has her period (a scene which includes a tampon-sucking scene), then Kimmy is burtally raped by Psycho (much to the dismay of Shy Girl), and finally Rachel is fucked by a bottle. And Jerry, who tries to make a getaway, is just shot dead.

    At the sound of police sirens though our gangsters panic, and they quickly kill Rachel by ramming a broken bottle up her vagina. In all the confusion though, Susan manages to escape, but when Kimmy begs her to help her, Susan selfishly leaves her friend behind ...

    Joker and Shy Girl soon decides it's time to split, but Psycho stays behind to enjoy his triumph over Kimmy a bit before shooting her. But when he finally wants to shoot her for good, he realizes his gun's out of ammo, so he sees no alternative than to let her live, figuring it wouldn't do all that much harm. However, the experience drove Kimmy over the brink, and now she's out for revenge ... and her first victim is Susan, who has abandoned her and whom she now strangles when Susan thinks herself back in the saftety of the car.

    Then Kimmy sneaks up on Psycho and Shy Girl and listening in on their conversation, she learns that Shy Girl is pregnant from Psycho - so Kimmy waits until she catches her alone, ties her to a tree, and performs a makeshift abortion, which naturally costs Shy Girl her life.

    Psycho and Joker soon notice something's dead wrong, so they decide to search the area each one on his own - which gives Kimmy plenty of opportunity to sneak up on Joker and decapitate him with a shovel. Then she moves in on Psycho for the grand finale, in which she knocks him out, ties him up, drives a nail into his penis, rapes him anally with a pole of wood, then cuts off his balls and feeds them to him. However, ultimately she has to realize that it is still Psycho who has won the game - but as a rare exception to my site's spoiler policies (to always give away the ending), I won't give away the final plottwist this time ...

    First of all: If you are of the political correct denomination, don't watch that film, you will not like it (even though on closer inspection the film is far less politically incorrect than it seems to be). Also, if you have got a weak stomach, don't watch. If you are a gorehound however, or a fan of 1970's grindhouse flicks, then this one is for you, a film about the torture, rape and humiliation of three pretty girls in schoolgirl uniforms including one of the girls' bloody revenge.

    However, The Hood has Eyez is not just one mindless, misogynistic gorefest that has little to go for it above the violence, actually writer/director Terrence Williams shows remarkable skills in storytelling and character development, especially as the film is only approximately 70 minutes long, and somehow all the brutality makes sense in the context of his story instead of the story serving as a mere hanger for gruesome scene after gruesome scene.

    On a directorial level, the film comes across as extremely savage, not so much because the violence is so explicit but because of the use of documentary- or news-style camerawork including handheld camera, long shots and sudden camera moves, which suggest a certain closeness to and authenticy of onscreen events. Plus, in this case, the obviously low budget works for the film, as it limits the number of locations which gives the film a much more coherent feel. And of course, certain very subtle references to 1970's grindhouse cinema are nothing short of charming (at least to fans like me).

    That the key actors Cyd schulte and Antonio Royuela are impressive in their roles of course also helps ...

    In all, watch this movie ... but only if you're sure you can stomach it !

     

    review © by Mike Haberfelner

     

  • (re) Search My Trash Interview With Writer/Director Terrence Williams
    01/02/08
     


    Interview by
    Mike Haberfelner



     
    You have recently released your new film, The Hood has Eyez. In a few phrases, what is the film about ?
     
    It’s a rape/revenge-horror film about a girl named Kimmy who is brutally raped and humiliated by a group of sadistic gangsters. Kimmy survives her attack and seeks bloody revenge on her attackers one by one.
     
    How did you come up with the idea for the film ?
     
    After working on Revenge of La Llorona (my third feature) and getting such positive responses from audiences due to it’s edgy content, my business partner (producer Nicole Williams) and I decided to play on that a little more and come up with something really crazy and outside the box. I have always been a fan of the rape/revenge genre and films such as Thriller: A Cruel Picture and I thought it would be cool to do a film like that, but more extreme and set in modern times. Instead of raging rednecks or escaped convicts, I thought gangsters would be perfect. Especially since I live in Los Angeles and that’s the thing I feared the most growing up.
     
    In more than one way, your film is pretty extreme. How hard was it to get the cast together, especially the three young actresses who play the schoolgirls ?
     
    It was a challenge. Most actresses stopped talking to me after I sent them the script. Some of them are people I had built a working relationship, or at least so I thought. I’m not sure if they thought I had lost my mind or if they thought I was pulling their leg, but they wouldn’t return my calls or emails … I believe a lot of them want to be famous and mainstream and Revenge of La Llorona and The Hood Has Eyez are films going in directions that are opposite to where they want to go. But everything fell into place. I had previously worked with Cyd Schulte, who plays Kimmy, and I pitched the idea to her and she loved it. I told her that if she did it ‘tho she had to go all the way and we weren’t going to hold back on anything. Then I ran the idea by Antonio Royuela, who plays Psycho, and he was instantly excited and hopped on board. Everyone else fell into place after that. A lot of people have credited the film's lead actors as the only actors who had to do crazy stuff or go the distance, but the truth is the entire cast had to say “fuck it” and just let everything hang out. I credit them all for making the film so real. It was a real group effort.
     
    The film contains quite a few scenes of gore and gratuitious violence. What's your approach to scenes like this ?
     
    First off, I never do anything in a movie just for shock value. A lot of people might think that’s bullshit, but if the script doesn’t call for it or the story doesn’t need it, I won’t do it. Everything in The Hood Has Eyez has a purpose and forwards the story. Nothing is there just to be there. I like gore and violence, but it has to serve the story, not the other way around. Sometimes an actor will ask me if we could cut something out or tone it down and I won’t if it’s pivotal to the scene or story and it serves a purpose. If your character is a raging lunatic, like Psycho in The Hood Has Eyez, then you’re going to have to do the type of things that a Psycho would do.
     

    Then there's the sexual aspect of The Hood has Eyez, which culminates in rape and humiliation: What do you answer to people who call your film misogynistic ?
     
    Fuck them! Everything in this day and age might be politically correct, but not this. Not my films. This is uncensored for a reason. The shit that happens in The Hood Has Eyez happens everyday to real people. This is just a film. It's only 73 minutes, not a lifetime. You could turn this off and tune out … you can’t do that in real life. I don’t feel my film is misogynistic. If anything it’s a film about a woman not succumbing to violence and rape. It’s about her taking matters into her own hands and exacting her own justice. Underneath it all I feel The Hood Has Eyez is a chick flick - a chick flick with balls. Oddly, men are usually the ones to cry fowl when Kimmy sets off on her revenge course.
     
    Any films that especially inspired The Hood has Eyez, in story, atmosphere or whatever ?
     
    Many. As I stated, Thriller: A Cruel Picture, Last House On The Left, Visitor Q, Fight For Your Life, and of course, I Spit On Your Grave. All of the classics. I do however want to be crystal clear, that while these films all inspired me, I did not want to remake them or bite them. I wanted to take a fresh approach to the rape/revenge genre.
     
    The film's website, mySpace or whatever else ?

     
    You can find out more about me and all my films at www.cinemathreat.com, or visit The Hood Has Eyez' MySpace page @ www.myspace.com/cinemathreat.
     
     


    Leaving the film behind for now, The Hood has Eyez was already your fifth feature film. What can you tell us about your debut, Transit from 2005 ?
     
    Transit will forever hold a special place in my filmmaker heart. It was a learning experience on every level possible and it was successful. It vindicated what I was trying to do – make films, and it was a success and allowed me to make more movies. People who have seen The Hood Has Eyez would never believe that the same filmmaker is behind Transit. They are two different genres and two different movies. I love dramas as much as horror films … if the story is interesting I could dabble in either one.
     


     
    Transit was followed by the La Llorona-trilogy in 2006 and 2007. What can you tell us about these films and how close are they to the actual Mexican La Llorona myth ?
     
    The Llorona Trilogy was an experiment. It’s really one big film. But when you split them up they become three different experiences. The first film in the series, The River: Legend of La Llorona is a simple ghost story. I liken it to a classic horror film like House On Haunted Hill. The second in the series, Revenge of La Llorona is a T&A movie, with lots of nudity and gore. Finally, Curse of La Llorona is a family in peril type horror film. I wanted to take the character of La Llorona and bits and pieces of the legend and add them to my own original stories. Some people have hated the movies because they feel it doesn’t reflect the La Llorona they grew up hearing about, but I always remind people it is just my take on the La Llorona legend. Not an authoritative version of the mythos. People who don’t really know about La Llorona and the legend surrounding it go in with a more open mind and less expectations. Those are the folks that tend to like the series.
     
    Most of your films can be labelled horror in one way or another. Is horror your favourite genre, and where does your fascination with horror come from ?
     
    If I had to pick one genre of filmmaking to be in for the rest of my career, it would be horror, because I feel so at home there. In horror you can do and say things that you could never get away with in drama. I’ve always been fascinated with gore and violence and the effect it has on people. I’ve always enjoyed fucking with people’s minds and emotions and so horror was always my favorite genre. When I began making films I knew that I would eventually venture onto this side of the track. From the day I saw Bad Taste as a kid I said, “that’s what I want to do.”
     
    What are your opinions about the horror genre today, both mainstream horror and independent horror ?
     
    Unfortunately mainstream horror today is quickly going down the drain like it did in the late 80's. There is very little creativity coming out of the studio system. Remake after fucking remake is stifling the genre to death. When they remade Halloween I knew it was down hill from there. It’s gotten so pathetic that they remade The Wicker Man and The Hitcher. All cult films – nothing is safe. I’ve really dug the Saw movies, and the 28 Weeks series, but that’s about it. On the independent side of the track, things are a little more optimistic. There have been a lot of filmmakers doing original and out of the box type horror films that make you believe there is hope for the genre. Some of the films I really enjoyed last year were Head Trauma, Wrong Turn 2, Stupid Teenagers Must Die, Amateur Porn Star Killer, and Hatchet. I think the indie sector is allowing more creativity and less bandwagon jumping like what’s going on with some of the bigger movies.
     
    Some filmmakers that really inspired you ?
     
    Abel Ferrara, Lloyd Kaufman, Herschell Gordon Lewis, Roger Corman, Dario Argento, Umberto Lenzi [Umberto Lenzi bio - click here], Stanley Kubrick, Ruggero Deodato [Ruggero Deodato bio - click here], Takashi Miike, just to name a few.
     
    Your favourite films, both recent releases and all-time favourites ?
     
    Most of the films I like are older classics like, John Carpenter’s The Thing, They Live, The Hidden, The Entity, Children Shouldn’t Play With Dead Things, and Frankenhooker. More recent stuff would be Visitor Q, Ichi The Killer, 28 Weeks Later, and Silent Hill.
     
    Any future projects ? What can we expect from Terrence Williams in 2008 ?
     
    I am currently in the pre-production phase of a prequel to Transit called King of the Streetz. It’s an art house film. After that I will be returning to the horror game to make The Hood Has Eyez 2 and a porno-horror hybrid film (Horno) called Speed Freaks, for all you gore-whore’s out there.
     
    Any interests besides films and filmmaking ?
     
    I love reading and traveling. Seeing the world. It gives you interesting ideas and expands your mind. You learn shit. Sex is a major interest of mine also.
     
    Anything else I have forgotten to ask and you are just dieing to share with us ?
     
    I think more people should give independent horror a chance. Guys like Bill Zebub, Eric Stanze, Shane Ryan, Joe Castro and so many others are making really great films that are waiting to be discovered. And once you discover them it will be hard to go back to mainstream garbage. We live in a culture now where too many people have AD/HD and turn off a movie if what they want to happen doesn’t happen in five minutes. Watch the entire movie and then judge it.
     
    Thanks for the interview.

     

  • IndieFlix Has Acquired "The Hood Has Eyez" and "Revenge Of La Llorona" For Distribution!!!

    12/26/07

    Just to let ya know, "The Hood Has Eyez" and "Revenge of La Llorona" are now both available at IndieFlix.com! And best of all it's only $10.00!

  • Download depravity And Filth, courtesy of BSide.Com

    03/20/08

     


    BSide.Com has picked up "The Hood Has Eyez." Our gory and depraved masterpiece of terror is now available for download. Go on over to BSide.Com by CLICKING HERE and download this puppy. We promise you will have nightmares.


     

2007 Has Come and Gone...

12/25/07

 

...And it was a very busy year for Cinema Threat Productions.

First off, 4 of our movies were released last year! For those of you who don’t know,

“The River: Legend of La Llorona” was released a SECOND TIME on the
“DECREPIT CRYPT OF NIGHTMARES” horror box set!

Go to
AMAZON.COM, BESTBUY.COM, CIRCUITCITY.COM and check your sanity at the door and get ready for a blood-soaked marathon of gore, madness and depravity. With so many hours of terror, the nightmares will never end. There are 50 movies on the box set so clear your schedule and drink lots of coffee. FYI, "The River: Legend of La Llorona" was originally released on the "Hostile Hauntings" 2 Disc DVD set. That pack has 6 horror films on it.

Next up “Revenge of La Llorona” was finally released on the
“TOMB OF TERRORS” horror box set. This pack also has another 50 films of depravity, debauchery, and other ghoulish stuff. That’s also at AMAZON.COM, CIRCUITCITY.COM, and BESTBUY.COM

For those of you Gore-whores out there who want to see “Revenge of La Llorona” but don't want to buy the entire
"Tomb of Terrors" box set, you can snatch up a copy of this cinematic orgy of boobs and blood from INDIEFLIX.COM – You won’t be disappointed.

“Curse of La Llorona”
was also released on DVD at retailers nationwide in October, completing the “Llorona Trilogy.” Get one or get them all… we promise you will be entertained.

Finally, our urban horror opus,
“The Hood Has Eyez” was released on DVD this past July and has been receiving lots of positive reviews.  To see the film that critics everywhere are calling "one of the sickest horror films of the year, and one of the best indie films," go on over to AMAZON.COM and get one for yourself. You won't regret it. 

  

Rogue Cinema Interviews Writer/Director Terrence Williams:

An Interview with Terrence Williams - By Brian Morton
Posted on Monday, October 01 @ Mountain Standard Time by
Duane




In August, I had the chance to see a daring new movie, The Hood Has Eyez. What's so daring about it? Well, not many indie directors would have the nerve to film a horrific rape scene today, no matter how integral to the storyline, but Terrence Williams is out there on the cutting edge and, because of his daring, The Hood Has Eyez is one of the most effective indie movies I've ever seen. You can read a full review by clicking here, it's a great movie and, having seen other movies by Mr. Williams, I felt like it was time we had a chat with this up and coming indie writer/director.

BM - Thanks for taking the time.

TW - No problem, I appreciate it.

BM - Let's dive right in, how did you get started making movies?

TW - I used to make these Twilight Zone type short stories with a friend on his Hi-8 camera back in the day and I was into drawing my own comics. So I always wanted to make films or at least tell stories. Once I got older I went to film school and said “this is definitely what I want to do!”

BM - The first films of yours that I personally saw were the La Llorona trilogy, what gave you the idea for that? Is La Llorona a real urban legend?

TW - I have always been a big fan of horror films, and I mean the underground taboo stuff, and once I began directing I badly wanted to do a horror movie. I wanted to do something different though. I always thought La Llorona was an interesting Mexican folktale and growing up Latino I always heard about the Weeping Lady… It just made sense to take that legend and create my own character from it with my own twist. The story of La Llorona is a real story, right up until the part she drowns her two children and then herself, but as far as her coming back to life – the press is still out on that one. In the past I have had people swear to me that they have seen her with their own eyes. Who knows?

BM - According to IMDB (which I know can be wrong sometimes) you appeared in Spike Lee's Mo' Better Blues, how did that influence you?

TW - That damn IMDB! Some of the acting credits aren’t mine, Mo’ Better Blues is one of those. I have petitioned relentlessly to get the credits that are not mine off of my profile but to no avail. But I do watch Spike Lee movies and they have influenced me.


 BM - Sorry, it serves me right for trusting IMDB too much! Your latest movie, The Hood Has Eyez, is probably one of the most daring indie movies I've ever seen. You're not afraid to 'go there' as they say. Did you ever have any reservations about some of the content in the movie?

TW - Yes. After I wrote the script I felt that I had taken things a little too far and almost re-wrote some things and then I came to my senses and remembered why I set out to make the movie in the first place. To shock and entertain. I did face the reality that finding people to do the movie as well as distribute it would be difficult if not impossible. That worried me... that no one else would see that there is a genre for rape/revenge. Most of the actors in the film didn’t believe that there is a market for this type of thing, until I showed them Thriller: A Cruel Picture, I Spit On Your Grave, Last House On The Left. I have discovered that most actors aren’t that film savvy.

 BM - Your movies have an urban setting, is that something that you do intentionally?

TW - Yes. I live in Los Angeles and there are a lot of cool settings out here and I always wanted to use the city as a backdrop for my films. I could have easily gone out to Lancaster or Orange County and shot in those exotic locations but L.A. has a gritty feel to it. Plus, when my wife, Nicole, and I set out to create Cinema Threat Productions we wanted our focus to be on urban themed films. So far we have succeeded in that. Transit, my first feature is an urban tale about a graffiti artist. The Llorona trilogy is an urban telling of the Weeping Lady, and The Hood Has Eyez is just hood all the way around.

 BM - Nicole is a co-producer of your movies, usually. Is it hard working together?

TW - No, not at all. We share the same tastes in movies and have a clear understanding of what we want to achieve with a film. Originally my production company had a third producer who did not see eye to eye with us at all, so we parted ways. She was the co-producer on Transit and we constantly fought. We didn’t see eye to eye on anything. Nicole, on the other hand, read and understood our company goal to make quality, indie urban themed films. We are not trying to be Hollywood.


 BM - This one is a bit awkward. The Hood Has Eyez is one of those movies that inspire, the insane (and uninformed) feminist crowd to arms. Was there ever any issue with working with Nicole on something that graphic?

TW - No. One of my wife’s favorite movies is Visitor Q! She likes this genre of film just as much as I do and we have had several angry emails and letters sent to us for making “The Hood.” Oddly, men have been the ones getting bent out of shape over the abortion scene and Psycho’s torture scene. I don’t get it. Most chicks have liked the movie so far, and the rest of them haven’t even bothered with it. A few of the torture ideas were actually Nicole’s.

 BM - You write, direct, act and produce (among other things), if you could only pick one talent to pursue, which would it be?

TW - Writing. I think a movie comes to life on the page and screenwriting is one of the most under appreciated jobs out there. Without a good script nothing happens. As a director I just follow what I write and then expand upon that in the editing room. So it all stems from the writing.

BM - The Hood Has Eyez is a great revenge movie, is there any thought to doing a sequel?

TW - As a matter of fact, after the premiere screening we all looked at each other and said, we have to make a sequel to this. One of the female moviegoers who saw the film came up with a great idea for a sequel and I’m going to run with it. See, chicks have been very supporting of the film.

BM - What would your dream project be?

TW - I have this gangster thing I have been writing for some time now. Something on the level of the Godfather or Goodfellas. Of course there is no way in hell I would attempt to be better than those movies, but it’s an epic movie about gang culture in Los Angeles. Cinema Threat is going to need Hollywood backing to make that one. In all honesty though, The Hood Has Eyez was one of my dream projects. I have daydreamed about making this film for at least four years, so I am still on cloud nine since we have pulled it off.

BM - Well, you did pull it off...with flying colors, it really is a movie that deserves to be seen! Thanks for taking the time, I appreciate it.

TW - Thank you.

Terrence Williams is one of those filmmakers that really deserves to have their work seen more widely, if you have the chance to see The Hood Has Eyez, you should run...not walk...down to the theatre and check it out. It's graphic, it's violent and it's one of the best movies of the year! To find out more about Terrence, Nicole and their movies, you can head over to The Hood Has Eyez web site or to just get a copy for yourself! It's well worth your money and time! We here at Rogue Cinema look forward to the Hood sequel, and whatever Terrence and Nicole get up to next, we're sure that it'll be worth checking out!


 

Check out Terrence Williams interview on Scream TV people!

ScreamTV Interview: Terrence Williams PDF Print E-mail
Written by Theron Neel   
Saturday, 22 September 2007
Terrence WilliamsActor, writer, director, producer—Terrence Williams has done a bit of everything over the years.  A self-described guerilla filmmaker, Williams and his wife, Nicole, run an independent production company called Cinema Threat Productions in Los Angeles.  ScreamTV recently caught up with Terrence to talk about his latest film, The Hood Has Eyez -- Premiering tonight at 8:00 PM (9:00 PM Eastern) only on ScreamTV.

Terrence Williams on the set of The Hood Has EyezBefore we talk about The Hood Has Eyez, your latest film, I’d like to ask about how you got your start.  I believe you began as an actor, didn’t you? 

I began acting in small parts just because I was interested in the movie business and wanted to learn how it works.  I wasn’t serious about doing that; however, I was serious about writing screenplays.
 
How did you make the switch to directing?  Is it something you always wanted to do? 
 
After attending Dov Simens’ 2-Day Film School and learning about digital technology, I decided that not only would I like to write my own script, but I might as well direct it. From there I attended Los Angeles City College Film School for two years and developed my first script, Transit

While in school, I partnered with someone who wanted to produce the project, we raised the money, and shot the movie.  It was picked up by Maverick Entertainment and released in retail chains across the country, as well as in the U.K. and South Africa.  After the success of that film and all the drama I went through making that movie, I knew [directing] was what I wanted to do.  If you can look at your job and be okay with dealing with the negative points and not just the positive, then you know you’re in good company.

Was the formation of Cinema Threat Productions the next natural step to making the movies you wanted to make, the way you wanted to make them?

The whole point of starting Cinema Threat was to be able to embrace digital technology and make the type of movies that you could never make through the typical Hollywood channels, like The Hood Has Eyez—to take real risks with storytelling.  The original person I had went into business with didn’t have the same vision as me, so we parted ways.

Behind the Scenes of The Hood Has EyezWhere did you get the idea for The Hood Has Eyez?

I have always wanted to do a rape/revenge film that takes things to the next level.  I also wanted to do one that people hadn’t really seen before.  Here in L.A., we have a huge gang problem.  Growing up, I never worried about running into some “Texas Chain Saw type hillbillies.”  I worried about getting shot or jacked by the gang bangers in my neighborhood.  I knew people like Psycho and Joker [characters in The Hood Has Eyez], and believe it or not, I based most of their actions on things gangsters I knew actually did.  That’s the true horror behind The Hood Has Eyez.

The Hood Has Eyez is a pretty intense flick.  The whole cast had roles that I’m sure pushed them somewhat beyond their usual comfort level.

Most of the actors who signed on to do this project pretty much knew what they were getting into.  I had some of them watch similar films, like I Spit On Your Grave, and another film I did called Revenge of La Llorona.  The majority of them didn’t realize there is an entire market for these types of films.  They thought I was just crazy.  On location I think the “Dirty Sanchez” scene, as well as the tampon scene and the rape scene with the bottle, made a few people uncomfortable.  Oddly, it made the actors who weren’t in the scene [feel] weird.

Did you write the role of Kimmy with Cydne Schulte in mind? 
 
I did write the role of Kimmy for Cydne.  I actually wrote most of the roles for the people who played them.  I knew going in to The Hood Has Eyez that I would have to have great actors to make it work...and I would have to have actors who trusted me and who I trusted to be able to do the things I wanted to do.  Not just any actress is going to do a “Dirty Sanchez” on camera.  Several actresses have stopped speaking to me since I sent them the script.  They took it too seriously.

Even though they had already read the script, was there ever any uncomfortable moments during shooting?  If so, as a director, how do you handle these situations?

For the most part, they trusted me, and I never made anyone do anything they did not want to do.  Had an actor told me “I really don’t feel comfortable doing such and such,” I would have changed the script accordingly or at least tried to come to an agreement.  I am the type of director who likes for his actors to believe in what they are doing as much as I do.  I do not want to force anything. 

At the same time, I will not allow an actor to change the script just because they want to.  They have to have a valid reason.  For instance, when Psycho pulls out the bottle from underneath Rachel’s skirt after raping her, the bottle originally had honey glaze on the rim and he was supposed to lick it off, but the actress who played Rachel did not feel comfortable with this because of how her husband might react.  She was okay with the rest of the scene where he fucks her with it, but not that.  So I cut it out.

Wow, that’s funny.  How do you handle the casting process?  I notice that you often work with the same actors repeatedly.  Do you try to find people that work well and then hang on to them?

As a director I love working with the same actors if the role fits them.  Finding good actors is very hard.  Even though I live in L.A. where there is no shortage of “actors,” finding talented actors is something else.  Then there’s the issue of finding committed people.  When we are working on independent films, commitment is just as important as talent.  Some actors I have worked with once and we both part ways; with others, there is a chemistry and I try to build a relationship with them professionally.
  
What is the standard length of production of your movies?

Typically we take four to six days to shoot a project and one month to cut the picture and complete post.  What takes us the longest is pre-production.  On The Hood Has Eyez, we had begun casting and working out the kinks back in January of this year, and we didn’t shoot until June. 

What moment in this movie are you most proud of?  What part do you still love every time you see it?

It would have to be Psycho’s torture scene.  A lot of people get bent up about the abortion scene, but my favorite is when Kimmy returns the favor to Psycho.  I love the scene and could watch it over and over because it’s very rare you see the woman get to torture the man and do it so well.  I love the scene too because, oddly, a lot of guys love the movie up until this point and then they cry foul—sexist, maybe?  I don’t know, but I’m a guy and seeing Kimmy ram Psycho’s dick down his throat is priceless.  Revenge is sweet.

You wear several hats (writer, producer, director, actor), Terrence.  Is this part of the reason you’re able to make your films so fast?

The rigorous planning allows us to shoot so quickly.  We work everything out on paper first before we shoot.  I am able to wear so many hats because I studied all of those disciplines while in school.  I have hired people before to do different tasks, but I have found that sometimes it’s just easier to do things yourself—and cheaper.  [Producer] Nicole [Williams] handles a lot of on-location tasks as well.  I have found that if you can partner with someone who sees eye to eye with you, you really don’t need a lot of people—especially with digital.  Once again, digital technology allows you to do things differently and not mimic the Hollywood system.
 
The Cast and Crew of The Hood Has EyezWas there ever any problems shooting these “controversial” scenes in the outdoor locations you chose?  You must’ve scouted for private locations pretty thoroughly?

I picked locations that I knew we would not be disturbed in.  I believe, during shooting, only one pair of onlookers came by, and they left quickly once they saw all the fake blood.  During the shoot, we kept joking that someone could have actually gotten raped and assaulted up there and no one would have come to help.  It was that desolate.

The Hood Has Eyez does fall into a specific horror subgenre—the “rape/revenge flick.”  And several of your other movies have been horror-related.  Have you found it’s easier to market genre films?

I have directed both dramas and horror films, and I think regardless of the genre, it’s a lot of work.  You just have to like the script enough to put in the work.  I believe since horror is my favorite genre, it makes it easier for me to write material for that genre.
 
I have been a huge fan of horror since I was a kid. And I don’t mean Poltergeist or The Exorcist.  I’m talking about Cannibal Holocaust, Frankenhooker, Street Trash...the underground stuff—at least it was underground back then.  Most people are barely discovering those films.  I like some Hollywood horror films like The Exorcist, but I prefer the indie stuff that takes risks and challenges you.  I like films like Visitor Q.  Most people would be repulsed by that sort of thing.

Which filmmakers do you consider to be influences?

The directors who have influenced me the most are Takashi Miike, Ruggero Deodato, John Carpenter, Charles Band, Umberto Lenzi.  Those are the guys who I would consider influences.  Roger Corman has had a big influence on my films as well.  Although I hate saying that they, the filmmakers, influenced me.  I think a better way of putting it is that their films influenced me.

So, Terrence, what’s next for you?  Have you started planning your next movie?

I am currently working on two scripts.  One of them is a horror film which I don’t have a title for yet.   The other is a Dogme 95 type drama called King of The Streetz.  Once the scripts are completed, I will decide what direction I will take.  I am just going to focus on promoting The Hood for the time being and bask in its glory.

I think it’s great that you’re taking chances with form and style, man.  It really demonstrates your dedication to the world of independent film.  Speaking of which, can you talk a little about your connection with the independent distribution company Film Baby?

From the moment I set out to write The Hood Has Eyez, me and my producing partner Nicole Williams figured we would have to self distribute due to the subject matter.  We submitted Hood to several distribution companies, most of whom we’ve worked with before but, just as we suspected, they thought the film was too graphic.  They said they would take it if we cleaned it up a bit, but I wasn’t interested in doing that.  It would defeat the purpose.  I had self distributed my Llorona Gone Wild trilogy through CustomFlix.com, so I figured we would do the same with Hood, but they rejected the [film] due to its graphic nature.  I was really pissed about that since they claim they don’t censor films, and they don’t do anything to promote the movies you sign up on their site...so I didn’t understand what risks they were taking.  I had heard about Film Baby from a while back, and after talking to Jaimie [Chavotkin] over at the company, I decided they would be the best fit for us.  Plus, they didn’t reject the movie due to its violent nature.

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